BTS' Chapter 2; a fascinating look into Jung Hoseok's real life.

Introducing Bts’ Chapter 2 Through J-hope’s Jack In The Box, An Intoxicating, Tension-ridden Insight Into Jung Hoseok.

On J-Hope’s latest album Jack In The Box, the group explored different facets of Jung Hoseok’s personality and sense of humor, showing us not just the person we’ve come to know and love over the years, but the real Jung Hoseok as well.

“Let’s burn. Let’s burn. Let’s burn. It’s done. It’s done.”

As BTS’ rapper and lead choreographer J-Hope (born Jung Hoseok), stumbles past flames in the new track he has released from their album, Jack In The Box, in a low and menacing tone, he utters the words in a way that is menacing and mesmerizing.

This might be the most profound song that BTS has released thus far. Throughout the music video, the expression on his face is gaunt, the atmosphere is gray, and there are only just a few words that reverberate throughout it all.

Introducing Bts’ Chapter 2 Through J-hope’s Jack In The Box, An Intoxicating, Tension-ridden Insight Into Jung Hoseok

A powerfully addictive album, with a strange siren in the background, J-Hope’s third album transitions from low undertones to a ringing urgency which contrasts sharply with the cheery album Hope World which was released earlier this year.

In the midst of the flames, he tells himself that the job is done. J-hope burns down the image he had for many years and the expectations he had held onto for many years as a result of Arson and Jack In The Box, and we see Jung Hoseok emerge as a more powerful and intimidating figure.

BTS announced that it would be Chapter 2 in their previous press release, and so far it doesn’t look like anything like what we have seen so far.

There is no way for us to predict what the boys will do next, but the journey begins now, and we are on board.

It has been a few years since BTS started to emerge as a force that can no longer be ignored.

They started out in 2013 by using hip-hop to spread messages about mental health and societal pressures but later explored a wider range of musical styles, such as wistful to peppy, hopeful, and exciting pop songs such as Butter, Permission To Dance, and the My Universe collaboration with Coldplay, which signaled the end of the pandemic in 2013.

In the years that followed, they were able to escalate the astronomical heights of fame, winning the Grammy awards night with an electric performance of Butter, and they continued to top the Billboard charts.

It was true that they had changed the face of K-Pop, and they were aware of that, but it wasn’t enough to carry them through.

It had been a long time since they had begun. The dreariness was creeping into their hearts as they made their way towards the end. In spite of the fact that their songs and albums received much love from the ARMY, the band itself was not quite happy and a growing sense of exhaustion brewed as RM explained at the Festa 2022 dinner.

J-Hope said that he felt like they had lost their way and that, in fact, they needed to step back and consider what their message should actually be since he felt that they had lost their way and that being a K-Pop idol put too much pressure on them.

He agreed that as K-Pop idols, they needed to be mindful of this. So, they decided to also concentrate on having a solo career of their own.

From a retrospective point of view, I think it was a smart decision on the part of J-Hope because it allowed us to see how he was evolving as an artist and his attempt to push himself to the limit.

It was through this new album that he was able to show the world a completely different side to him that made him stand out.

The real personality that J-Hope or ‘sunshine’ as he’s always been known in ARMY- has been wanting to share with the world for quite some time now.

This is the side of him that ARMY has been trying to get across for quite some time now: he’s more than just the lead dancer, a smiley rapper that we see on stage, the caring band member during group activities, the Sprite and strawberry enthusiast.

As we have been seeing for so many years, J-Hope is just a stage persona, a mask, that we have been watching on stage.

Another way of looking at this is to see it as he let himself out of the box.

J-Hope has explored various aspects of his personality with Jack In The Box, which has given him a deeper insight into who he is.

As much as BTS’s ‘ray of sunshine was eclipsed, it wasn’t a complete surprise. He had prepared himself well in advance to assure his fans that, although he believes in hope and light, he’s more than just dimples and smiles.

It is important to note that these concept photos weren’t just intended to amaze fans, but they were meant to tell a story, one that he is able to tell with his album.

Despite the storms, the darkness, and the sunshine he wants you to know that he is there for you. There’s nothing special about him, he’s just like all the rest of us.

In the short track, Safety Zone, J-Hope tells the story of his place in the world as he attempts to find his own place within the world, despite his role as the ‘safe zone’ for his friends and band members as he struggles to find his place amongst humanity.

As the attendees of the newest Festa 2022 dinner were able to observe, there is no doubt that the members of Festa 2022 have been struggling under a weight of expectations for the past few years, to the extent of losing sight of who they really are, which was evident from the recent Festa 2022 dinner.

He avers that during the past decade, he has experienced overwhelming success, as well as the overwhelming burden that comes with that success, which led him to reflect on the exhaustion that can come along with managing all of that success over the course of a decade.

I think in terms of the lyrics he sings ‘Where is the ray of light for relief in the dark’, alongside his puzzling question, ‘Should I go left or right?’ he is expressing his confusion at a crossroads.

The difference between J-Hope’s public image and his real personality has often been discussed lightly by him.

Even though he seems like an extrovert, he is actually one of the self-professed introverts in the group, even though he appears like an extrovert.

It is with the dark track ‘What If’, which is accompanied by haunting instrumentals, that J-Hope questions whether he as a person is really what he seems to be to the public — who is always positive with a smile on his face.

He asks the question, what would he be like if he did not have the hope or passion or the vision he does have if he did not have the toll it is taking on him in the chorus.


Despite the fact that he has presented the world with darkness, it does not imply that he has entirely abandoned hope in the face of it.

Stop, a scathing attack on the cruelty of humanity is a vicious attack on politics and J-Hope’s rage almost overshadows the song until he is forced to force himself to calm down.

He goes on to say, “In harsher terms, even I doubt whether they are really humans… / The acts of humans who are worse than animals disgust me… ” He then reminds himself to “stop” and reconsider the difficult situations he finds himself in.

Equal Sign

There’s a short track called ‘Love and Kindness’ on which J-Hope talks about love and kindness, emphasizing the power of unity and love in the world. It’s a short track and it deserves a few more verses. We’ve seen this side of J-Hope before, but now it’s almost like a pleading request.


There is something inherently addictive about More, a track that is a curious mix of old-school rock and hip-hop that follows closely on the heels of Arson.

With eerie beats and a piano melody, the music has a very unsettling effect, which only heightens the unsettling effect even further.

It is evident that J-Hope needs more of the song, indicating that he is hardly done with it, as the guitar compliments his singing in the chorus.

Interestingly, it was the first song that J-Hope released from the album, teasing us about what we could expect in the future.

There is a psychedelic trip to the music video, where everything takes place in a box, and there’s an emphasis on the fact that J-Hope’s singing ambitions are far more than what he has boxed himself into.