Aaron Taylor-Johnson, Brian Tyree Henry and company play in-transit assassins in 'Atomic Blonde' director David Leitch's wildly complicated action vehicle.
In pursuit of a briefcase stuffed with cash, half a dozen assassins shoot, stab and otherwise perforate each other's pretty little faces while taking the bullet train from Tokyo to Kyoto.
"The Prince" was directed by David Leitch, who choreographed and choreographed Brad Pitt's bucket hat, Brian Tyree Henry's "twin" hitmen Lemon and Tangerine and Joey King's fake crying.
On-screen labels superimposed over their flash-frozen mugs identify these quirky characters, along with others like the Hornet (Zazie Beetz) and the Wolf (Benito A Mart-nez Ocasio, aka Bad Bunny).
Like 'Snatch,' Bullet Train wears its pop style on its sleeve - a 'Kill Bill'-level mix of martial arts, manga, and gabby hit-man movies, without the wit or vision that goes with it.
In adapting the pulp novel "MariaBeetle" for a mostly Western cast, Leitch and screenwriter Zak Olkewicz make each character twice as eccentric as necessary, lest audiences' attention wane.
Maria (voiced by Sandra Bullock) guides Pitt through what's supposed to be his simplest job in his career: board the bullet train in Tokyo, grab the MacGuffin, and step off.
The choo-choo goes ch-ching. Pitt's character, Ladybug, is unlucky, and there are more murderers crammed together here than Agatha Christie could fit on the Orient Express.
The choo-choo goes ch-ching. Pitt's character, Ladybug, is unlucky, and there are more murderers crammed together here than Agatha Christie could fit on the Orient Express.
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